Handmaids Tale Season 3 Episode 11 Fan Review
ThisThe Handmaid's Tale review contains spoilers. We have a spoiler costless review of the season here.
The Handmaid's Tale Season 3 Episode 11
"Water ice queen." Earnest negotiator. "I trust June, she keeps her absurd." Steadily, this episode nudged united states towards an paradigm of June equally imperturbable, someone who can proceed her caput when all around are losing theirs. When Eleanor held Joseph at gunpoint, June counselled the demand for self-control. When the Lawrences left her in the lurch, June kept her shit together and devised a new plan. Everything before the events at Jezebels assured us that when she laid down on that bed, June would steel herself and endure Winslow's ill punishment.
All the amend to surprise united states with.
"Liars" was built on surprise: Eleanor'southward gun, the Lawrences' escape and subsequent return, the appearance of High Commander Winslow, and the Louboutin kick June gave him to the face … Yahlin Chang's script went from swerve to swerve, keeping up the stride and pushing the plot onwards.
The episode besides ended with i of the series' near energizing sequences nonetheless. As Kate Bush made a render to the soundtrack, director Deniz Gamze Ergun ( Mustangs ) gave us a rousing montage that reframed domestic work equally an act of resistance. Tidying, scrubbing, making beds … the Marthas coolly carried out their duties not in service of Gilead, merely in rebellion confronting it. They arranged flowers, smoothed sheets, cleaned carpets and calmly fed a man's corpse into an incinerator – not forgetting to go out a chocolate on the pillow every bit a final touch.
read more than: The Handmaid'southward Tale Season 3 Depicts a Seismic Shift in Gilead
I say 'man', just Winslow was really Gilead personified – a golem sculpted from its misogyny, sadism and hypocrisy. From the Commander who presided over the literal sewing shut of women'south mouths, his sadism shouldn't accept come every bit a shock, nor should his presence at that assault den, Jezebels (even the arty room dividers come up with hidden Swastikas – did you lot meet?). Winslow's plea of "My children" as June loomed over him, a mighty, bloody avenger, elicited no sympathy. Afterwards the degradation of Jezebels and that distressing fight scene, watching a symbol of Gilead's corrupt masculinity disappear into the flames was a triumph.
It was one of two triumphs this episode, the other existence the fall of Fred Waterford. (Simply in example he didn't already come up across as plenty of an arsehole, The Handmaid'south Tale was skillful enough to accessorize Misogyny Ken with dickhead shades and a Mercedes convertible for the occasion.)
The schadenfreude of Fred's arrest would have been easier to enjoy had it not come with a mystery to solve. In a humanizing moment as he was led away, Fred protested that Serena hadn't done anything wrong, simply is she as innocent as he thinks?
In full general terms, of grade non, but in this specific case? Did Serena mastermind Fred's arrest, sacrificing her worm of a husband in exchange for immunity and access to Nichole? If and so, at what point did she switch sides, and how long has she been playing him? Since DC? Since the ballroom dance? Since he forced Joseph to rape June, thus setting off a bomb in the Lawrence marriage?
Fred and Serena's route trip scenes beingness an act of advisedly pitched ambivalence, we tin't yet know. Yvonne Strahovski's operation was and so finely balanced that at any given betoken information technology was possible to read her as reconnecting with her husband or saying bye to him.
Fred said all the correct things in that chat – admitting to his infertility for what seems like the showtime time, proverb he doesn't give a damn most the Winslows, he doesn't need pomp and status, he doesn't want to miss their daughter growing up … but the carefully inserted reminder that he used to exist in marketing felt as though it was there to undermine it all. Commander Waterford is a PR professional; his words are like water.
Our best clue that Serena has switched the horse she's bankroll mid-race was the resentment and pain in her question, "How could you take that abroad from me?" when the couple were nostalgically discussing her one time-burgeoning writing career. (Oh, the tellingly casual sexism of that "You were trying to fatten me up"/"I didn't want other men looking at you lot" substitution). That accusation was the moment it felt incommunicable for her to have forgiven him. Fred may come to regret having put Serena in the driving seat.
Between Winslow's murder, Lawrence losing his grip and Waterford's arrest, thrillingly, Gilead's Commanders are crumbling like chalk. Hallelujah and Godspeed.
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